Onoterusaki Shrine Festival
Last weekend was torture and heaven at the same time for us festival lovers of Tokyo. First there was the huge annual Sanja festival in Asakusa with hundreds of years of tradition and 2 million visitors. Then there was the huge Ohara Kagoshima festival in Shibuya on Sunday with a rare chance to see a genuine Kagoshima prefecture festival in Tokyo! On top of that we had the once every three year superbly local festival at the Onoterusaki Shrine in Tokyo’s Iriya district, which is actually so close to Asakusa that the omikoshi from the two completely unrelated festivals could share the same border street without any interaction. Naturally I picked the Onoterusaki festival to spend the bulk of my time, because it is the rarest and also because it is so close to the much more famous Asakusa festival there were virtually no tourists at all. I think I saw one or two on both days of the festival, other than that there were almot only locals or people actually involved in the festival procession itself. In other words, Fantastic and just the kind of festival I am always looking out for. Here’s some photos of one of the omikoshi “docking” near the shrine on the first day of the festival. Many more to come!
Asakusa Sanja Matsuri Dog
Starting on Friday and ending in the grand finale on Sunday, today, is the huge Sanja Matsuri, probably the biggest festival in Tokyo. Among all the hundreds of thousands (actually about 2 million people over the three days) I spotted these two, looking great in a quiet corner of Sensoji Temple. Even dogs dress in their finest on these important days!
Amezaiku – Kurayami Matsuri
Not the first post on the fantastic Kurayami festival in Tokyo’s western Fuchu City, and not the first post on the very skilled traveling candy artisans, but I couldn’t pass up on this man! He is one of the amezaiku (飴細工), or sugar craftsmen, who puts up their booths in festivals all over Japan. With a pair of scissors and some simple wooden tools they create animals and creatures out of colored soft sugar. This guy was certainly one of the better I have seen and was popular with both adults and little children. If you are in Tokyo and want to see some really good amezaiku at work there’s a shop near Sendagi station, at the Dangozaka. Their creations are too beautiful to consider eating though!
Kurayami Matsuri – Michikiyomegi
Often when visiting festivals the layman (like me) will be thoroughly baffled by almost all the activities taking place. The larger festivals have many rituals and ceremonies, different people have different roles to play, sacred objects are paraded, water is strewn, banners are raised, chants are begun and abruptly ended. Seemingly important parades end in what can only be described as the middle of nowhere and out of order chaos suddenly erupts as people are suddenly filled with some urgent purpose to stride somewhere else in shining regalia, only to seemingly change their mind and go for a soba break with the lads from the office. In short, most of everything that takes place at a festival is bewildering confusion. It doesn’t usually help to ask other bystanders. Many times have I had to explain (even with my basic understanding) what is going on to little old Japanese ladies that have lived next to the shrine all their lives. Sometimes I am even correct! I don’t even ask the people involved anymore – most low level participants have a sketchy idea of themselves of what is going on, and the people who do know are far to busy to have time to talk to a mere tourist. But every now and then you just stand in a street corner looking lost and some old man will stumble out with a half empty bottle of sake and explain, in mind numbingly detail just what is going on, and suddenly all the pieces fall together and the missing link between half a dozen ceremonies and costumes and chants are processions appears right in front of you.
Something similar happened to me on the second day of the Kurayami Matsuri in Tokyo’s western Fuchu City, when I watched the Michikiyomegi procession get ready and finally march out of the grand Okunitama Shrine (大國魂神社), chanting while beating the ground rhythmically with large bamboo sticks. But I’ll save that story for another blog post, in the mean time I’ll let you enjoy this bewildering moment in peace. If you do happen to be able to connect all the dots here, don’t write too many spoilers in the comments please!





































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