There are a lot of festivals going on in Tokyo this weekend, the biggest probably being the one in Shibuya that I posted yesterday, but not far behind is the Hikawa Shrine Matsuri in Tokyo’s central Akasaka (not to be confused with the very similar sounding place name Asakusa). This festival kicked off on Friday evening but I didn’t have time to visit so here are a few photos from my visit to this festival back in 2012, a couple of years ago. I have been to this festival many times and it is always fun, especially to see the large dashi, the mobile shrine platforms as they are pulled and pushed and dragged all around the narrow streets and hills of Akasaka (赤坂, even the name means Red Hill). There are two different dashi and they are used on different days, so depending on when you see them you are bound to see a different one. Dashi connoisseurs (yes there are such people!) can easily tell the difference, but less learned people like me have a bit of a hard time.
A good friend that I met by chance at a festival last weekend let me in on how omikoshi (the mobile shrines carried by parishioners around the neighborhood) are judged in action! I can’t believe I hadn’t gotten this earlier, but apparently people in the know look at the four tassels hanging around the edges of most omikoshi (the ones in this festival are blueish purple): if the tassels swing wildly in rhythm, it means that the omikoshi is moving with cheer and purpose, if they hang straight or just sort of rattle around it means the carriers are running low on energy and the proper spirit. The best way to get the tassels swinging is to cheer the carriers on which usually spurs everyone into action!
If you have time and the opportunity, don’t miss this or any of the many other big festivals this weekend!
At this year’s grand Hachioji Matsuri I saw these three dragon head’s dancers (龍頭の舞), performing a 400 year old ritual dance with drums, flutes and great wooden masks. The dance itself is quite acrobatic, with great leaps and spins. There are very few performers of this dance left in Japan, but the traditions and the equipment is kept in shape by a few groups of dedicated performers. The three masks used by these performers were made by local craftsmen in 1712, making them the oldest masks in continued use by dancers anywhere in the country. They are decorated with horse manes and long bird feathers (which I learned was about 2000 a piece to buy new and wore out quite quickly).
It was a very hot day and it must have been quite exhausting to have so many performances outside in just one day.
The grand Hachioji Matsuri, the annual festival of the city in western Tokyo, started on Friday and culminates today! The Hachioji Matsuri is one of those have-it-all festivals. The entire city is out to party and there are things to do for everyone, no matter wether you enjoy drinking, eating, culture, traditions or just hanging out with the crowds. This festival has geisha, omikoshi, hayashi, dashi, parades and music and just about anything else you can imagine from a big Japanese summer festival.
I took these photos of some of the dashi and omikoshi, portable shrines, on the 2013 festival. I wish I could go this year as well but wishes and schedules do not always go hand in hand! If you are in Tokyo today without any real plans, here is your chance to jump on the Chuo line and get yourself to Hachioji!
The grand Narita Gionsai in Chiba Prefecture’s Narita City (there’s more than just an airport) is pretty much one of the most perfect festivals in the whole of the Kanto area. It’s huge, the setting (Narita’s historic center) looks great, the people are exceptionally dedicated to their festival and there’s a huge amount of stuff going on. Anywhere you go there is something to see, do or taste. And I didn’t even visit on the main day of the event!
I took these photos of one of the many Dashi processions that take place throughout the festival as the many neighborhoods represented in the festival pull their giant festival wagons up and down the streets, putting a huge effort into getting them safely up and down the hills of the city. The processions are usually led by young girls who dress up in something similar to a geisha. These young girls (sometimes boys but very rarely) are called Tekomai (手古舞) or in the old days, Tekomae (手棍前). They represent a continuation of the steeplejacks, young carpenters who would be skilled in building tall steeples and structures and were traditionally assigned to construct the often very tall (much taller than today’s modern short dashi – the reason being electrical wiring of the city) and after construction to walk in front of the dashi procession and make sure people did not get too close to it, for their own safety. These steeplejacks, or Tobishoku are still around though and you seem them almost daily in most Japanese cities on constructions sites and building projects. They have long since left the guarding of the dashi though. The steeplejack dressed showily (as they still do when given the chance) and eventually local geisha figured out that dressing even more showily and taking up the role of the Tekomae was a good way to advertise their services. This eventually evolved to the daughters of geisha and eventually the young daughters of the townspeople dressing up and adding even more beauty to the local festivals and parades. The girls wear richly embroidered half coats tucked into tattsuke hakama (a variation of the regular hakama which in turn is a sort of kimono made into trousers). They are supposed to have ichomage hairstyle (same as the samurai used to wear) but it is much to complicated for most parents these days so they often settle for something easier to set up, like a nihongami style. In their hands they most often carry a lantern and a kanabo, a metal rod with rings. These rods are dragged in the ground rhythmically and accompanying their traditional singing (a form of keyari). However, these festivals often take place in extremely hot summers and the kids wear thick layers of costumes and carry a surprisingly heavy metal rod so in most cases there is very little energy left for actual singing! If you think they look tired, remember that they walk up and down these streets from early morning to late at night with a few breaks thrown in here and there.