If, like so many other tourists in Tokyo, you are planning to visit Asakusa this Golden Week I recommend making a slight detour to the seventh floor of the Asakusa Tourist Information Center building to see the Kyugetsu Ningyo, or Japanese traditional doll exhibition that is currently on display there. There is no entrance fee and it is a great stop after having taking in the views of Asakusa from the 8th floor viewing balcony. The dolls are handmade by different members of a traditional doll making society and are all wonderfully exquisite. There’s a good mix of traditional types as well as modern versions and some avant-garde types. The dolls are of a type called Kimekominingyo (木目込人形). The doll bodies are carved in wood and clad in silk by a unique way of pushing the material into intricately carved folds in the wooden body base. The heads are often sculpted in clay and attached after all other parts have been made.
There are also several fantastic Oshie “paintings” (押絵), which is a kind of collage that is made by wrapping sculpted pieces of clay or thick paper in silk to create a pop-out 3D effect. It can be very beautiful when done correctly, as in the works of art exhibited here. There is a description with good photos here, it seems easy but I guess it really isn’t. It is the same technique as used in the traditional hagoita new year’s decorations. I wish I had time to learn more about this fascinating art form!
Many cities around the world are fortunate enough to be equipped with a subway system. The smallest city with a subway system is Rennes in France, but the largest is Tokyo. In fact, we have two subway systems here! The biggest of the two is Tokyo Metro with 9 lines and 176 station, a private company owned by the Tokyo government and the Ministry of Land, Infrastructure, Transport and Tourism. The smaller company with only 4 lines and 99 stations is the Toei Subway, owned by the Tokyo Metropolitan Bureau of Transportation. Both systems cover most of Tokyo with the notable exception of the two southernmost wards, Ota and Setagaya which relies almost only on the Toei Subway lines.
The latest addition to the Toei Subway lines was the 2000 Toei Oedo Line that runs almost in a circular loop (with a long tail), completely underground and also the deepest of all Tokyo subway lines: it is 48 meters underground at some points, and tunnels under large rivers three times. When the line was constructed in the 1990s it was decided that all the stations would have an architect and an artist responsible for the look and feel of each station. Although quite toned down, some stations do indeed feel a little “wacky modern”, like the Oedo line Iidabashi station which has a biological theme. Kachidoki Station is the most heavily trafficked single line station in Tokyo with over 82 000 passengers per day. The number has grown so rapidly that new exits has been added and there are plans to extend the Yurikamome line to Kachidoki to coincide with the Tokyo Olympics 2020. The artistic theme of the station was decided by the architect to be “out of the ocean”, to keep with the artificial island nature of Kachidoki itself and the colors of the station and the platform is a green-blue palette. I recently passed the station and had my camera with to take a photo of the rather unusual art piece decorating the ticket gate hall, a huge mural in the style of a classic Italian painting! A rich underground world inhabited by mythical mermaids and Gods looking up at the high-rise buildings towering above the water.
I have always loved this mural and I recognized the style from somewhere, the soft colors, the near perfect representation of an italian tromp Trompe-l’œil renaissance work of art, reminding me of Giulio Quaglio or Andrea Pozzo or even Michelangelo. So I finally checked who the artist was and found it was none other than the famous mural painter Masao Hanawa (塙雅夫)! One of the most famous window dressers in Japan he has won many awards for his work he is also the creator of several murals in everything from museums to hotels both in Japan and abroad, churces and even Disney Sea here in Japan! It is funny how your eyes and heart knows art that your mind can’t even remember sometimes.
I talked to the station manager for a bit and it seems I am not the only one stop and wonder about this mural. He told me it is the most talked about artwork in all the Toei Oedo Line stations. No wonder, it is easily the best, despite the humbleness and “not quite so modern” theme. It also seems like Mr. Hanawa is a graduate of the fantastic Zokei University of Arts (that I have blogged many times about before).
In January I visited the graduation show at the Tokyo University of the Arts. For most visitors, the first work of art they encountered was the “OYAJYO-JIN” A-Un sculptures by Kanagawa sculptress Momoha Harada (原田桃葉). The words A-Un (阿吽) comes from the Indian religions and has also been adapted by shintoism and buddhism here in Japan. A is the first and un is the last character in the sanskrit alphabet and they represent the beginning and the end of the of all things, very similar to αω (Alpha and Omega) in christianity or the emet in judaism. In front of most temples and shrines in Japan you will find two statues, sometimes lions, sometimes foxes, sometimes demon or even tengu, one with their mouth open (阿) and one with the mouth closed (吽).
The statues of Ms. Harade guarded the entrance to the university and were quite popular with visitors. The portly human figures in a their metal grey hue looked great next to the black wood of the gate.
I saw this mixed media artwork at the National Art Center’s art university graduation ceremony a couple of weeks ago. The artist, Atsushi Adachi of Zokei University (足立篤史), has created a miniature diorama dream world, complete with train tracks, tunnels, light houses, zeppelins and hangars for airplanes. I love these kind of miniature worlds, like the art of Ichiyo Haga (here and here), the Housing Estate N by Area N, the Papercraft castle, even the diorama hat by O.Moro Design! Another great artist this reminds me of is Takanori Aiba’s miniature cities. Yes, I have a very soft spot for dioramas and miniatures!
If you want to see more of Mr. Adachi’s work you have plenty of chances this spring and summer as he is pretty much exhibiting all through the year. The closest one is at the Tabloid Gallery in Tokyo’s Hinode, March 20th to March 23rd, and then at the Ouchi Gallery in New York’s Brooklyn, first in the end of April early May and then again in June.