Tokyo finally got a slightly larger Godzilla statue last week, due to the promotion of the latest Godzilla move. A smallish statue has been erected in the Tokyo Midtown’s park, and it is open to the public from morning to night every day, with a very short smoke and light show at night (pictures from that to come later on!).
You might have seen the smaller bronze Godzilla in Hibiya or even been to the actual spot where Godzilla fist steps onto Japanese soil in what is today Kitashinagawa, but if you are a real fan of the big beast you have to go and see the statue in Roppongi Midtown. Fittingly, there’s a Baccardi bar garden just next to it where you can stretch your legs, sip something cool and imagine the roar of the beast.
I saw this mixed media artwork at the National Art Center’s art university graduation ceremony a couple of weeks ago. The artist, Atsushi Adachi of Zokei University (足立篤史), has created a miniature diorama dream world, complete with train tracks, tunnels, light houses, zeppelins and hangars for airplanes. I love these kind of miniature worlds, like the art of Ichiyo Haga (here and here), the Housing Estate N by Area N, the Papercraft castle, even the diorama hat by O.Moro Design! Another great artist this reminds me of is Takanori Aiba’s miniature cities. Yes, I have a very soft spot for dioramas and miniatures!
If you want to see more of Mr. Adachi’s work you have plenty of chances this spring and summer as he is pretty much exhibiting all through the year. The closest one is at the Tabloid Gallery in Tokyo’s Hinode, March 20th to March 23rd, and then at the Ouchi Gallery in New York’s Brooklyn, first in the end of April early May and then again in June.
One of my favorite ways to spend a weekend here in Tokyo is to visit some of the hundreds (thousands really) of art galleries in the city, as well as the many graduation exhibitions of the major art universities. Recently I have run into the same artist twice, Shunsuke Taira (平俊介). First at the graduation exhibition at the Tokyo University of the Arts, and yesterday at the Gallery MoMo Projects in Roppongi. Some of the paintings are industrial reinterpretations of buildings in and around Asakusa. Can you spot which ones? If I was an art collector I would snap all of his work up right now.
The Gallery Moma will have the exhibition until March 8th.
If you are in Tokyo and interested in Japanese calligraphy, shodo, you might want to and see the 54th annual Nihon Shosakuin exhibition on the second floor of the National Art Center in Roppongi. The exhibition is nothing less than massive, it would take a day or two to just read all of the beautiful calligraphy that is on display. The exhibition runs until the 17th of February, 13:30. Calligraphy came to Japan with the introduction of writing from China and as usual they have made it into a beloved national art form. Almost all schools in Japan teach calligraphy to their students and there are many school clubs dedicated to the subject. Japanese still take great pride in beautiful handwriting and a lot of people keep the tradition of writing with ink and brush alive.
One of the more interesting traditions involving calligraphy is the kakizome (書き初め), the first writing of the new year. In the old days people would write a poem on the the first day of the new year, using ink made from the first water drawn from the well. These days though, many people settle on writing characters that they like or find promising for the new years. I have even seen sets of ink, brushes and paper set out in bars and night clubs in the first few days of the year. It is interesting to see young and old club goers and bar-hoppers sit down and concentrate on this ancient art before getting back on the dance floor or karaoke machine!
Even though this is an ancient art form there are still trends and movements in the styles presented by the different artists, and to my untrained eye the writing looked more subdued than the wild sprawling writing I saw a lot of when I visited the exhibition in 2010.