At the huge and glorious Sanjamatsuri in Tokyo’s Asakusa district earlier this month I took these snaps as a children’s omikoshi passed me on the street. The adults have their huge and probably pretty dangerous omikoshi or portable shrines, and some teams organize these tiny omioshi, often on wheels and pulled with ropes, for the youngest members of the community. Adults accompany the omikoshi and encourage the children to take full part, including screaming, chanting and drumming as much and as hard as they can. Since Japanese kids are much much more quiet than kids in all other countries I have visited, I think this screaming practice is good for them and their self confidence! And they sure look great in their patchwork festival outfits!
During a lull in the festivities around the Shitaya Matsuri in Tokyo’s Ueno district I saw this group of children playing with the traditional Mizu Fusen (water balloons) in the street while wearing lovely summer festival clothes. I have seen these water balloons in every festival I have ever visited but I had no idea what they were actually for, a fact for which I blame my “academic” style of Japanese education! When a foreigner comes to Japan to learn Japanese all schools can be fitted into two basic ways of teaching: the “kintaroo style” or the “academic style” (this is just my observations though). The kintaroo style is when students are taught from a purely cultural perspective, with an emphasis on starting with the childhood classics and childhood experiences shared by all Japanese. This way of emphasizing cultural awareness by teaching old folk tales and symbols. and through them grammar and vocabulary, is a very important method I think, although hardly the most effective. The academic method on the other hand dives right into tables of grammar and lists of kanji to memorize. Learning to speak good Japanese however, is impossible without understanding the culture of Japan and how Japanese people think. Just because you can read a comic or even the morning papers in Japanese doesn’t necessarily mean that you understand Japan or the people here. For that, you have to start at the very beginning, with the toys and the stories and the childhood manner lessons that form the basics of Japanese culture. And for me, not having ever seen these mizu fusen in use was a gap in my understanding of the Japanese. But now, thanks to observing these kids, I now know a little bit more than before.
It’s Saturday night here in Japan and I thought I’d sign off for the day with a simple photo I took in Kawasaki in October. You know how I have a thing for taking street photos of handsome men with their children? Well, here’s a new one, handsome grandfathers with their grandchildren! Seriously, I really need to collect all the photos I have taken so far for a photo exhibition or something. Fathers and their children, it’s just too beautiful.
This man in the middle of a crowd and it took me a long time to wait for just the split second when I would get a photo of them both. He was absolutely beaming with pride over the little boy and both of them really seemed to be into the Awaodori performance we were all watching. Then again doesn’t everyone love Awaodori? I used a long lens, a 135mm with a very shallow Depth of Focus (DOF) to isolate their faces. Unfortunately only one of them could be in focus with such a shallow DOF. Still, this photo is one of my favorites from this year. Not that it is technically great or anything, I just like it for what it shows: people of all ages having fun together, without any corporation being involved.
It’s Tanabata again! Tanabata festival is one of those hard-to-explain Japanese festivals that sneak up on us every year and sort of signals that summer is here and the festival season is now officially open. I think one of the main reasons it’s not very famous among foreigners is because it is so targeted to kids! It is a star festival (quite unusual theme in itself I think) that along with so many other customs came from China in the mid 8th century and merged with local shinto customes. It is officially celebrated on the 7th of the 7th, every year but some towns, temples or groups prefer to follow one of the two other semi-official calenders of Japan. This is great because it means I usually have 5 days of tanabata celebrations every year! Three days around the 7th of July, and then on the other two days of the lunar calendar and the lunar-solar calender. Imagine if Christians celebrated Christmas the same way!
One of the most visible aspects of the festival are the wish-slips that people attach to bamboo stands all over the country in the days leading up to tanabata, almost every department store or town hall and most schools put these up where visitors can write their own wishes for the coming year. Since it is a star festival, tanabata has also been picked up as a Japanese alternative to the global Earth Day, and people are encouraged to turn of lights for a couple of hours at night in order to properly enjoy the stars. A great concept and I hope it becomes more popular in the near future. I have lived in Tokyo for many years but I don’t think I have seen more than a handful of the brightest stars. At least this energy conservation campaign were are enjoying now is paying off in that respect, the skies have never been more beautiful!
Here’s some of the photos I took during the early evening at a Tokyo tanabata festival. Focusing on the kids, the foods and the games. See the photo of the ramune bottles waiting to be recycled? With temperatures hitting over 30 degrees C even at night, ramune is the drink to enjoy! Also note the little guy in what at first appeared to be a yukata. A slight wardrobe malfunction revealed that it was a cleverly designed set of PJs!